From Nuffnang

Tuesday, February 24, 2026

The Absent-Minded Dolfo in "Ta-ra-ra-dyin ... Pot-pot!" (1972)

Ta-ra-ra-dyin ... Pot-pot! is a 1972 romance-comedy film that follows the hilarious adventures of an orphan named Dolfo. Directed by Jose 'Pepe' Wenceslao, the film is topbilled by Dolphy. The music was created by Jose Mari Chan. At that time, Chan has already established himself as a creator of jingles for use in TV and radio advertising.

This is one of the major films in which Dolphy worked with Jose Mari Chan. The others are Karioka Etchos de Amerika (1971) and Pinokyo en Little Snow White (1972).

The title Ta-ra-ra-dyin ... Pot-pot! comprises onomatopoeic words referring to items used by the character Dolfo in his job as a vendor:

Ta-ra-ra-dyin for the drum-like sounds that can be made from the two large cans attached at the sides of his bicycle. These cans contain Dolfo's merchandise.

Potpot is for the the horn with a rubber bulb. This bulb is squeezed to get the attention of potential customers.

Screen Capture: Lea Productions / Dolphy Filmography


PLOT

The film opens with two men near a bridge. Mario stops Dolfo from attempting to end his life. From that moment, they become friends. With nowhere else to go, Dolfo accepts Mario's offer to stay at his house.

Dolfo finds work as a newspaper boy, but one day his bicycle collides with Tomas, a moneylender. While on the street, Dolfo is captivated by a young woman named Cynthia—who turns out to be Tomas's daughter. Distracted by her beauty, Dolfo crashes and eventually loses his job.

At home, Dolfo remains absent-minded. He forgets the rice cooking on the stove, and the house nearly catches fire—saved only by Mario's timely arrival. Mario scolds Dolfo but reassures him about the broken bicycle. Soon after, Dolfo secures new work as a pan de sal peddler.

In their conversation, Dolfo mentions the beautiful woman he encountered. Being shy, he asks Mario for advice on how to court her. But as events unfold, it is revealed that Cynthia is Mario's classmate—and the real romance is between Mario and Cynthia.

The introduction also allowed to patch up things between Dolfo and Tomas.

Meanwhile, at Tomas and Cynthia's house, a woman is often seen lingering nearby. She is later revealed to be Luisa, Tomas's former lover and Cynthia's mother.

One day, Roger, a persistent suitor, deceives Cynthia into a kidnapping. He tells her that Tomas has been in an accident and that she must rush to the hospital. Luisa happens to be nearby and enters Roger's car, perhaps hoping to finally speak with her daughter.

Dolfo's co-workers witness the abduction. Though heartbroken in love, Dolfo informs Mario of what happened. Together, they head to Roger's resthouse to rescue Cynthia. In the midst of the action, mother and daughter are finally reunited.

Cynthia is successfully rescued, and Dolfo steps aside, entrusting her to Mario. As Dolfo walks away, he is struck by a car. A woman emerges from the vehicle and offers to take him to the hospital—hinting at the possibility of a new love awaiting Dolfo.


MAIN CAST

Dolphy ... Dolfo
Hilda Koronel ... Cynthia
Caridad Sanchez ... Luisa
Raul Aragon ... Mario
Da Big 3 Sullivans ... Dolfo's co-workers
Juano Juarez ... Roger
Boots Anson Roa    ...    Woman from Car (uncredited)

Saturday, January 31, 2026

Movies That Mark 30th Year in January 2026

 At least 13 Filipino movies were released in theaters in January 1996. At present, some of these movies can be viewed on YouTube, while others are occasionally aired on free television.

Mabangis na Lungsod
Dyesebel
Batang Z
Sariwa
Sa Kamay ng Batas
Anak, Pagsubok Lamang ng Diyos
Oki Doki Doc: The Movie
Impakto
Adan Lazaro
Ang Pinakamagandang Hayop sa Balat ng Lupa
Hindi Lahat ng Ahas ay Nasa Gubat
May Nagmamahal sa Iyo
Ober da Bakod 2: Da Treasure Adbentyur
Ganti ng Puso

Details of each mentioned title to follow.

Sunday, January 4, 2026

Nostalgic Pinoy Party Food: Hot Dog and Marshmallows on Stick

During parties back in the day, especially in the Eighties, one colorful centerpiece never failed to appear—and it remains vivid in my memory: hot dogs and marshmallows skewered on barbecue sticks.

I will not mention the year but I had such a centerpiece on my fifth birthday party (so far the only birthday party I ever had).

The hot dog could be skewered whole, or for uniformity, sliced into pieces the same size as the marshmallows. Each stick would then be inserted into a pineapple, watermelon, or cabbage—depending on what suitable fruit or vegetable was available. 

There were no definite standards about what to use as a base. As long as the base could support the skewers, it was good enough. Sometimes, even the trunk of a banana tree was used.

For the child I was back then, this edible centerpiece was truly stimulating to the senses. The aroma and savory taste of cooked hot dog paired with the sweetness of colorful marshmallows created a delightful contrast. 

When the marshmallows came in pastel colors, they matched the predominant aesthetic of the Eighties. And if the base was wrapped in foil, the whole presentation sparkled even more.

This centerpiece also carried social symbolism. Each stick of hot dog and marshmallows seemed to represent the hosts and guests of the gathering. The way each stick was anchored into a single base depicted a shared focus: collective joy.

Although this centerpiece continued to appear at parties during the Nineties and early 2000s, its presence seemed to fade as the 2020s arrived.

Perhaps people have become more health-conscious and practical, especially due to the impact of the COVID-19 pandemic. After all, we know that hotdogs and marshmallows are processed foods. There are also added safety concerns because of the protruding sticks.

If given the chance, I would still love to see this centerpiece to the new generation.

What I want to experience once more is its nostalgic value. In light of the concerns I have mentioned, I will remind myself and others to "eat with caution."

And if they ever ask what this centerpiece means, I will wholeheartedly share the little reflection I have just offered.

Photo Credit: Facebook


Saturday, January 3, 2026

Musings on "Batibot" and Smoked Milkfish

The TV program Batibot and its accompanying soundtrack remains a part of our childhood memories. One of the catchiest songs from that soundtrack is "Tinapang Bangus" (Tagalog: Smoked Milkfish).

Main cast of Batibot

Photo Credit: Wazzup Pilipinas 

It was about three decades ago when I first heard Kiko Matsing and Pong Pagong singing the repeating lines that attest to the deliciousness of smoked milkfish:

Tinapang bangus, tinapang bangus

Masarap ang tinapang bangus ...

Recently, while at the supermarket, I suddenly remembered this song. As I looked into the freezer in the seafood section, I noticed the neatly stacked packages of smoked and deboned milkfish.

(The milkfish is much bonier than other food fish. I prefer it deboned to enjoy the mild, slightly creamy flavor. For most people, the belly is the choice part of the milkfish.)

With the tune of "Tinapang Bangus" playing in my head, I reflected on the contrasting forces of heat and cold: heat that creates its distinct flavor, and cold that extends its shelf life.

My mind then veered towards various aspects of this ray-finned fished found throughout the Indo-Pacific.

In the Philippines, milkfish is popularly known as the national fish. However, the National Commission for Culture and the Arts has declared that this is not the case as it has no basis in Philippine law.

The fish plays a major role in the economy of Dagupan that this city in Pangasinan province hosts the annual Bangus Festival.

Meanwhile, the reverse-racist Filipino term mestisang / mestisong bangus is used to refer to someone who is half-European or half-American.

In 1963, a film titled Mestisang Bangus was produced by a company called Golden Harvest Promotion.
I am imagining that the funds used to create the Mina Aragon were derived from a bountiful bangus harvest.

As I realized that I was staying too long near the freezer, I did not overthink further. I bought the smoked milkfish—and I will enjoy it fried (not mestizo/mestiza anymore) while recalling the moments I spent watching Batibot as a child.

Fried Tinapang Bangus

Photo Credit: Devour.Asia


Tuesday, December 30, 2025

Brain Dump on Two Joses: Jose Rizal and "Mang Jose."

Today, Filipinos commemorate the anniversary of the heroism of Dr. Jose Rizal. But my brain dump is also about another Jose, the subject of a song by the band Parokya ni Edgar.

Dr. Jose Rizal, circa 1890s

I enjoy listening to the song Mang Jose (Tagalog: Mister Jose) -- funny yet full of social commentary. Let me share a few lyrics to this song:


"Mang Jose, Mang Jose Ang superhero na pwedeng arkilahin Mang Jose, parang si Daimos din Ngunit pagkatapos ay bigla kang sisingilin Mang Jose! (Jose)"

"Mang Jose, Mang Jose
The superhero you can rent
Mang Jose, just like Daimos too
But afterwards he’ll suddenly charge you
Mang Jose! (Jose)"

Released in 2005, the Parokya ni Edgar album Halina sa Parokya (Tagalog: Come to the Parokya) features the song "Mang Jose"

Why was Jose chosen as the name of our superhero? Perhaps to remind everyone of the contributions of Dr. Jose Rizal -- our national hero -- to our identity as Filipinos.

Nowadays, a person does not need to be executed in Bagumbayan (presently called Luneta) to be proclaimed a hero.

There are lots of heroes, and in this context, they are the working class, especially those forced to work even during holidays.

Returning to the song, Daimos may be a metaphor for the mode of industrial-technological production. (NOTE: Daimos refers to a 1970s anime television series about a super mecha fighter)

In this zeitgeist, life moves very fast. We cannot deny that we are part of this environment.

How then can a person be proclaimed a hero? It depends on the beliefs we grew up with; there are many answers.

For me, when someone does things for the good of others, that is heroism. When someone does things others refuse to do, that is still heroism.

The song says Mang Jose suddenly charges a fee. The reasons vary, depending on the situation.

There are those who do favors for others with one hand, while the other hand is outstretched—waiting for payment or some form of return.

Thereos nothing wrong with this as long as the charge is fair, not exorbitant.

But then, let’s stop calling it heroism. Remove the mask.

Let us return to the topic of the working class. Many of them are like Mang Jose, belonging to the bottom of the "triangle."

Those at the top of the "triangle" seem to disdain such work and pass it to the Mang Joses at the bottom.

After those at the bottom perform the difficult and disdained" tasks, little or no credit goes to them.

What is worse, while Mang Jose struggles, the slave driver even has the nerve to get angry when unexpected situations arise.

These slave drivers take delight in imposing unreasonable pressure, knowing only how to give orders, without considering Mang Jose's humble condition.

Mang Jose earns very little, yet heavy tasks are given to people like him. The wages are not commensurate with the weight of the work.

They have the right to charge, and it is reasonable to fight for this. They need to earn for their own needs and those of their families. We cannot blame them for defending this right.

It would be better if they were given the chance to hone their potential by meeting their basic needs and gaining further education.

The urgency of achieving these goals grows stronger because of the rapid advance of technology. The problem is, given the state of the economy, they must first address the hunger in their stomachs.

Before it is too late, may they be given what they deserve. If the working class disappears, where will civilization go?

Official Music Video

Monday, December 29, 2025

The 21st Metro Manila Film Festival: A Throwback

The 21st Metro Manila Film Festival was held from December 25, 1995, to January 3, 1996. The six entries were the following:

Dahas
Father en Son
Huwag Mong Isuko ang Laban
Isko: Adventures in Animasia
Magic Kombat
Muling Umawit ang Puso

Muling Umawit ang Puso, the entry of Viva Films, took the most number of awards. As we recall the thirtieth edition of this event, let us revisit other details of the said entries:




Dahas (Tagalog: Rage)

Production Company: MAQ Productions


MAIN CAST

Maricel Soriano ... Luisa
Richard Gomez ... Jake
Tonton Gutierrez ... Eric
Efren Reyes Jr. ... Bing
Sheila Ysrael ... Maggie
Maila Gumila ... Minnie


SELECTED CREW

Direction ... Chito S. Roño
Story and Screenplay ... Roy Iglesias
Cinematography ... Charlie S. Peralta
Production Design ... Jeffrey Jeturian
Editing ... Jaime B. Davila
Musical Direction    ... Jessie Lasaten
Executive Producers ... Marie Sherida Monteverde and Douglas Quijano


NOTE

*** Winner of four MMFF Awards: 2nd Best Picture, Best Actor, Best Cinematography, and Best Editing.





Father en Son

Production Company: RVQ Productions


MAIN CAST

Dolphy ... Johnny
Vandolph ... Bimbo
Zsa Zsa Padilla ... Leni
Babalu ... Clinton
Carmi Martin ... Vicky
Panchito ... Don Ponso
Bernardo Bernardo ... Direk Capatas
Judy Ann Santos ... Tina
Jeffrey Quizon ... Maru
Boy 2 Quizon ... Boyet
Manny 'Boy' Quizon ... Maning
Freddie Quizon ... Freddie
Sherilyn Reyes ... Patsy


SELECTED CREW

Direction ... Rodolfo Vera Quizon
Story ... Roy Vera Cruz
Screenplay ... Loida Virina and Roy Vera Cruz
Cinematography ... Arnold Alvaro
Production Design ... Claudio Sanchez Mariscal
Editing ... Efren Jarlego
Musical Direction    ... Mon Del Rosario
Executive Producers ... Rodolfo Vera Quizon


NOTE

*** Thirtieth anniversary presentation of Dolphy's RVQ Productions.




Huwag Mong Isuko ang Laban (Tagalog: Do Not Give Up the Fight)

Production Company: Rockets Productions


MAIN CAST

Ronnie Ricketts ... David
Vina Morales ... Cecilia
Ricardo Cepeda ... Col. Redondo
Miguel Rodriguez ... Ablaza
Charina Scott ... Cheska


SELECTED CREW

Direction and Story ... Ronnie Ricketts
Screenplay ... Joel Saracho
Cinematography ... Joe Tutanes
Production Design ... Cesar Jose
Editing ... Francisco J. Vinarao
Musical Direction    ... Rey Magtoto
Executive Producer ... Mariz Ricketts


NOTE

*** Winner of two MMFF Awards: 3nd Best Picture and Best Child Performer






Isko: Adventures in Animasia

Production Company: OctoArts Films


MAIN CAST

Ogie Alcasid ... Isko
Michelle Van Eimeren ... Annaly
Michael V. ... Tibo
Candy Pangilinan ... Carol
Archi Adamos ... The Logger
Jon Achaval ... Don Fausto
Palito ... Mang Amado


SELECTED CREW

Direction ... Mike Relon Makiling and Geirry A. Garcia
Story ... Geirry A. Garcia
Screenplay ... Tony Apon, Pol Gutierrez, Gene Laurenciano, and Mike Relon Makiling
Cinematography ... Ben Lobo
Production Design ... Rico Ancheta
Editing ... Nonoy Santillan
Musical Direction    ... Jessie Lasaten
Executive Producer ... Orly Ilacad


NOTE

*** Winner of the Best Float award.







Magic Kombat

Production Company: Mahogany Pictures


MAIN CAST

Smokey Manaloto ... Mario
Eric Fructuoso ... Luigi
Dandin Ranillo ... Janitor
Beth Tamayo ... Diana
Joanne Pascual ... Rio
Sharmaine Suarez ... Blanka


SELECTED CREW

Direction and Story ... Junn P. Cabreira
Screenplay ... Al Marcelo
Cinematography ... Rudy Diño
Production Design ... Manny Espolong
Editing ... Rene Tala
Musical Direction    ... Edwin Ortega
Executive Producer ... Victor Villegas


NOTE

*** The lead characters, Mario and Luigi, were named after the Nintendo characters.





Muling Umawit and Puso (Tagalog: The Heart Sang Again)

Production Company: Viva Films


MAIN CAST

Nora Aunor ... Loida Verrano
Donna Cruz ... Noemi
Ian De Leon ... Vincent
Ricky Davao ... Congressman Tony Gallardo
Albert Martinez ... Miguel
Rita Avila ... Glenda Andrada
Michael De Mesa ... Diosdado Rivera


SELECTED CREW

Direction ... Joel Lamangan
Story and Screenplay ... Ricky Lee
Cinematography ... Ricardo Jacinto
Production Design ... Manny Morfe
Editing ... Jess Navarro
Musical Direction    ... Tito C. Cayamanda and Dennis Quila
Executive Producer ... Vic Del Rosario Jr.


NOTE

*** Winner of 11 MMFF Awards: Best Picture, Best Actress, Best Supporting Actress, Best Supporting Actor, Best Director, Best Theme Song, Best Musical Score, Best Story, Best Screenplay, Best Production Design, and Gatpuno Antonio J. Villegas Cultural Award

Sunday, December 28, 2025

Movies That Mark 30th Year in December 2025

At least four Filipino movies were released in theaters in December 1995, right before the 21st Metro Manila Film Festival. At present, some of these movies can be viewed on YouTube, while others are occasionally aired on free television. An upcoming post is about the six entries to the 21st Metro Manila Film Festival.

Di Mapigil ang Init
Enteng and the Shaolin Kid
Pulis Patola 2
Sabado Nights

Details of each mentioned title follow.




Di Mapigil ang Init (Tagalog: Can't Stop the Heat)
Original Release Date: December 07, 1995

Production Company: Seiko Films


MAIN CAST

Jestoni Alarcon ...    [information to be provided upon availability]
Rosanna Roces ... Jenny
Miguel Rodriguez ... Eric
Eddie Gutierrez ... [information to be provided upon availability]
Rosemarie Gil ... [information to be provided upon availability]
Jovit Moya ... Mando


SELECTED CREW

Direction and Editing ... Toto Natividad
Story and Screenplay ... Humilde 'Meek' Roxas
Cinematography ... Ramon Marcelino
Production Design    ...    Charlie Arceo, Edel Templonuevo, and Conrado Santos
Musical Direction    ...    Nonong Buencamino
Executive Producer ... Robbie Tan


NOTE:

*** The name of Rosanna Roces' character is Jenny. Her real name is Jennifer Adriano.





Enteng and the Shaolin Kid
Original Release Date: December 07, 1995

Production Companies: M-Zet Films and Movie Arts Productions


MAIN CAST

Vic Sotto ... Enteng
Jacky Shik ... Li Shou
Alou Gonzales ... Linda
Charito Solis ... Tia Rosa
Mark Gil ... Atty. Gerry Sanchez
Ruel Vernal ... Brando
Larry 'Pipoy' Silva ... Gorio
Yoyong Martirez ... Martin
Ritchie D'Horsie ... Ariel


SELECTED CREW

Direction ... Danilo P. Cabreira
Story ... Bibeth Orteza
Screenplay ... Danilo P. Cabreira and Abel Molina
Cinematography ... Rey Lapid
Production Design ... Abel Molina
Editing    ...    Rogelio 'Eio' Salvador and Jose 'Joe' Solo
Musical Direction    ...    Homer Flores
Executive Producers ... Marvic C. Sotto and Baby Pascual


NOTE:

*** A child Shaolin Kungfu master from China journeys through the Philippines with his father. After the child's father is tragically killed in action, a taxi driver steps in to look after the young protagonist. From here, comical and lighthearted adventures ensue.





Pulis Patola 2
Original Release Date: December 14, 1995

Production Company: Seiko Films


MAIN CAST

Anjo Yllana ... Matipid/Kuya Lotpu
Bembol Roco ... Magastos
Giselle Sanchez ... Kyla
John Prats ... Pipoy
Rica Peralejo ... Winnie
Dencio Padilla ... Tang
Isko Moreno ... Robert
Mikee Villanueva ... Selya
CJ Ramos ... Botbot
Efren Reyes Jr. ... Capt. Bantog


SELECTED CREW

Direction, Story, and Screenplay ... Felix E. Dalay
Cinematography ... Ramon Marcelino
Production Design ... Rei Nicolas
Editing    ...    Tony Sy
Musical Direction    ...    Edwin Ortega
Executive Producer ... Robbie Tan


NOTE:

*** This movie is the sequel to the 1993 film.





Sabado Nights (Tagalog: Saturday Nights)
Original Release Date: December 14, 1995

Production Company: Viva Films


MAIN CAST

Ina Raymundo ... Rina
Michelle Parton ... Shiela
Pia Pilapil ... Mindy
Lander Vera-Perez ... Renzo
Anthony Cortes ... Edgar
Matthew Mendoza ... Marty
Paolo Abrera ... Mok Mok


SELECTED CREW

Direction    ...    Romy V. Suzara
Story    ... Cris Millado
Story    ... Frank Rivera
Cinematography ... Carding Remias
Production Design ... Rei Nicolas
Editing    ...    Joyce Bernal
Musical Direction    ...    Jessie Lasaten
Executive Producer ... Vic Del Rosario Jr.


NOTE:

*** Lead star Ina Raymundo is best known for her appearance in the 1995 San Miguel Beer television advertisement Sabado Nights (English: Saturday Nights).